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| Blur King, Acrilyc on Canvas,100X90 cm, 2013 |
Blur King,
This work began from my interest in the figure of leadership and how power often appears strong but actually contains many unclear layers. I portray this figure with layered forms and small visual elements to reflect how leadership is shaped by various influences, relationships, and overlapping interests.
The slightly blurred visual form is used as a symbol of uncertainty in perceiving a leader, both in terms of identity and their role in society. In this work, I try to present the figure as a space that contains multiple stories and experiences happening simultaneously.
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| Dialogue, Acrilyc on Canvas, 125x95 cm, 21013 |
Dialogue
This painting comes from my thoughts about how humans communicate — not only with others, but also with themselves. I imagine conversations as layered voices, sometimes clear, sometimes overlapping, sometimes unfinished. The forms and symbols inside the work represent fragments of words, emotions, and inner responses that continuously interact. Through this piece, I try to capture the feeling of a conversation that never truly ends.
Smoke on The Water
Vio (2013)
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| Bila Rinjani ingin Pergi, Acrilyc on Canvas, 100X80 cm, 2012 Bila Rinjani ingin Pergi If Rinjani Wants to Leave This painting comes from the imagination of something grand and majestic that one day might change or leave us. I imagine Rinjani not only as a mountain, but as a living presence that has its own will and can move away. This work feels like an inner dialogue about loss, change, and how humans try to accept that nature, and life itself, can never truly be possessed. |
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| The Ultimate War, Acrilyc on Canvas,100X80 cm, 2012 The Ultimate War This painting grows from my thoughts about conflict that happens not only outside, but also inside ourselves. I imagine war as something layered — between humans, between ideas, and within personal emotions. In this work, I try to mix tension and chaos with playful visual elements, because sometimes the most serious battles appear in unexpected forms. |
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| Smoke on The Water, Acrilyc on Canvas,100X80 cm, 2012 |
Smoke on The Water
This painting emerged from a spontaneous imagination about smoke or the act of smoking happening underwater. The title is inspired by the song Smoke on the Water by the British rock band Deep Purple (1972). The phrase itself was also born spontaneously, capturing a sudden visual moment of smoke drifting above water during a casino fire in Montreux, Switzerland. I did not directly depict that event, but instead captured the visual impression and imagination freely.
I created this work while staying in Gili Air, Lombok. The atmosphere of the sea there unconsciously brought out patterns that reminded me of ocean-inspired batik motifs. I worked on this painting by following feeling and intuition.
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| Ayah dan Sagi bermain di Pantai, Acrilyc on Canvas,100X80 cm, 2012 Father and Sagi Playing on the Beach This painting is inspired by memories of togetherness between my child and me in the space of the beach. While creating this work in Gili Meno, memories of moments of playing, closeness, and warmth in the relationship between father and child resurfaced. The beach appears in this work as a space of memory and feeling. Through this painting, I try to capture a sense of longing, simple happiness, and an emotional connection that continues to exist despite distance and time. |
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| Banyak pintu menuju Surga,Acrilyc on Canvas, 140X70 2013 |
Many Doors to Heaven (2013)
This painting emerged from an imagination of the many paths that can lead us to new understanding and experiences. Each panel in the work is imagined as a “door of knowledge” that can be opened by anyone who views it.
I created this piece intuitively, letting shapes, colors, and patterns develop on their own, while inviting the audience to explore and interpret each door according to their own experience.
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| Tas Ramae, Acrilyc on Canvas,100X150 2013 |
Tas Ramae (2013)
This painting emerged from spontaneous imagination and visual exploration, with a sense of absurdity. I let shapes, colors, and symbols develop freely, following intuition at the time. The imagery shows a seahorse ridden by a warrior holding a kris, evoking a sense of victory and courage in battle. The work is open to interpretation, allowing anyone who views it to find their own story and meaning, without needing to know the literal meaning of “Tas Ramae.”
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| Vio, Acrilyc on Canvas, 100X90 cm 2013 |
Vio (2013)
This painting emerged from a spontaneous collaboration between me and my niece, Vio, who was around 10 years old at the time. I let Vio make marks on the canvas, and then I responded to her strokes, transforming them into a new composition. The work captures the energy of play, freedom of expression, and creative interaction, while leaving space for viewers to interpret the shapes and meaning for themselves.
Nazmi (2013)
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| Nazmi,Acrilyc on Canvas, 100X90 cm 2013 |
Nazmi (2013)
This painting also emerged from a collaborative process. I worked together with Nazmi to create a new composition, allowing Nazmi’s marks and ideas to interact with my own visual responses. The work captures spontaneous energy, creative interaction, and freedom of expression, while still leaving space for viewers to find their own meaning.
















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