My artistic practice is rooted in an interest in asymmetrical forms found in nature and the organic movements that constantly transform. I perceive visual form as a dynamic process in which narratives, symbols, and experiences can coexist within a single visual space.

I was born in Tasikmalaya and spent a significant period pursuing art education in Yogyakarta, two regions with strong batik traditions. These experiences have influenced my visual sensitivity, particularly in the use of layered ornamentation, repetitive patterns, and the tendency to construct forms as narrative spaces

In developing my visual language, I am strongly inspired by the concept of Ruang Waktu Datar (Flat Space-Time) introduced by Indonesian scholar Prof. Primadi Tabrani. This approach allows multiple events, perspectives, and temporal layers to exist simultaneously within a single visual field. Through this method, figures in my works function as spaces that contain various stories and social reflections presented in a non-linear narrative.

My works often employ symbolic imagery, visual humor, and wordplay as a way of addressing social dynamics, cultural phenomena, and power relations in contemporary society.